It's the end of an era here on the Halloween marathons. Each year for quite a while now, we've been revisiting a Nightmare On Elm Street film sequentially. Well, except for that time I jumped ahead and did Wes Craven's New Nightmare, but you'll understand that one is its own weird metafictional beast. We've still got one movie in the tank for next year, should we do this again, so this isn't the last Frederick Krueger movie we're covering. No, instead this is the last Nightmare On Elm Street movie I watched that I hadn't seen since first watching it in 2004 or so, in college, when I watched all of them sequentially as a fear-conquering exercise. Going in here years later, all I remembered were some of the unique kills. What, then, do we make of The Dream Child after all this time?
Holy fuck, guys, I do not fucking know with this movie. This is the one Nightmare movie I don't especially vibe with. The particular things I have enjoyed about this spooky dream murder series are the surrealist creativity of its dream murders, and the deeper interesting theme running through each movie that one can hang their critical analysis hat on and go "Yep, that's one fine hat hook this picture's got going-- Jesus Christ did that kid's muscle fibers just get turned into puppet strings? That's fucked up.". Let's shotgun through them real quick! Nightmare 1: the sins of the parent haunting their children. Nightmare 2: Fears and anxieties over one's own homosexuality. Nightmare 3: Mental health care is bullshit and doesn't help people in need. Nightmare 4: Grief and loss and how we remember those who we cared about who we've lost. With that in mind, what's Nightmare 5's cool hat hook? I... don't know. Oh, there are some at play, but I think the reason I didn't vibe with the movie is quantity over quality; instead of one big thematic hook that runs through the whole movie, there are like two or three half-formed hooks which only hang on parts of the movie. It's my job to talk about those shoddy hooks, apparently, so let's.






