Frezno's Games Of The 2018 Thing!

Another one down, just about. I always get all poetic about the year ending at the beginning of these, and this is going to be no exception. 2018's setting, and we once again have an enigma of a year ahead. 2019. What a wild number it is, but then 2018 was just the same enigma when we were sitting here last year recounting the games of 2017. Now we're looking back at that and I'm going to tell you all about the best computer games I played this year. Who needs delays? Let's get right into it and decide what sort of gonzo "categories" I'm going to invent. Here they are, the Games Of The 2018 Thing.

Doctor Who Series 11 First Impressions: Episode 10 (The Battle Of Ranskoor Av Kolos}

This is the way the season ends; not with a bang, but a whimper.

Through the ruin of a season, stalked the ruin of a showrunner.

You know, maybe this would have landed better if we didn't have the news that the New Year's Day special in a few weeks is our only televised Doctor Who for 2019. That's one hell of a bummer and 2016 was a real long drag of nothing, and now we get to do it all over again. Joy. Any hope we'd have gone out on a high note was dashed by the actual quality of the final episode of 2018. It's not bad. Not really. There's no political outrage behind a fun episode like there was with Kerblam!, and no outright indignation at being patronized like with, say, a Toby Whithouse episode. In the end, this is just a Chris Chibnall joint. It's just as passable and of the moment as pretty much the rest of his contributions this year. Let's deal with whatever the hell he put on screen, then. It's time for The Battle Of Ranskoor Av Kolos. Hey, I typed it without looking up. Go me.

Doctor Who Series 11 First Impressions: Episode 9 (It Takes You Away)

And now I'm mirroring you. Fuck.

NOW we're talking here. THIS is the kind of Doctor Who I go gonzo for. I mean, I love me a good emotional through-line (and the episode even has that to boot so HOLY FUCK IT'S FIRING ON ALL CYLINDERS) but I really dig Doctor Who when it's going full Bidmeadean science-magic and just getting a little goddamned weird while it's at it. I MEAN DID YOU ALL SEE THAT TALKING FROG? THEY WENT THERE! HOLY FUCK! I could end the first impressions here by just gushing about how the denouement of this episode was a sentient pocket mirror universe taking the form of a talking frog with an elderly black woman's voice holy fuck you guys they went there, but I think I'd like to get a little more in-depth. I used Bidmeadean back there, and that might not mean a lot to you. Christopher H. Bidmead was script editor for Doctor Who in 1980, and he was at the creative helm during Tom Baker's final season, Season 18. (Coming soon to Blu-Ray, fuck yes!) Season 18 had its highs and lows, as most of classic Who did, but its particular relationship to magic-as-science, the filmic and surreal, and general theories of things like evolution, probability, and entropy make it, at the least, really ambitious and just... weird. Doctor Who, if nothing else, loves the weird. Remember that time the moon turned out to be an egg? Yeah. Weird. Except general consensus is that this episode ruled, as opposed to Kill The Moon. My own opinions on moon eggs aside (I lied, here they are, it's gonzo genius), we're gonna look at It Takes You Away and see how it weaves the weird, the Bidmeadean, and the emotional into something that really stands out.

Doctor Who Series 11 First Impressions: Episode 8 (The Witchfinders)

Thanks to Kat for this, because it's basically perfect.

We're going to play a little game over the course of this text review, and it's called "Why In The Fuck Are The Historicals The Episodes I Like The Most In Series 11?". The game, as it is, is pretty self-explanatory as far as the title is concerned. The Witchfinders is the third story set in the past this year, and as far as quality goes it's like... oh, I don't know. Third? Fourth? Somewhere around there for my personal rankings. The other definite members of the top three are Rosa and Demons Of The Punjab, with that number three spot nebulous. We're not worried about that right now. What we're worried about is The Witchfinders, and how it basically works. It fumbles the football at the end a bit, but not enough to ruin things for me overall. The hell with it. Let's dive into that icy pond that is this episode and prove that we're not a witch. Or are one. This metaphor got away from me. It's time to talk about the episode.

Doctor Who Series 11 First Impressions: Episode 7 (Kerblam!)

Here's your late stage capitalism sympathies, ma'am.

I was on a little vacation, damn it. This was supposed to be an easy one. It very nearly almost was! Then we got what we got. Okay. Okay. I can do something with this. It will echo what others have said to a degree, but in the end I'm but one perspective and I'll link some others which are more critical at the end of all of this. Kerblam!, then. Yes, with the exclamation point and all. Sitting in a room with one of my best pals while I was visiting him in the now-snowy wastes of Gander, Newfoundland... we sat back and watched Kerblam!. It was, all in all, a very enjoyable 45 minutes or so. I want to state upfront that, God help me, I had fun with this one. It's very well-designed, the concept pitch is wild and fun, the atmosphere is tight, the robot design is a perfect uncanny valley, and even the final reveal of the grand plan is such a simple and genius mass murder method that you can only applaud it. This is very good television, on the level of the gears of the sausage factory. What it also happens to be is something that Twitter has fucking eviscerated while I was away. I should clarify, that's my Twitter feed. The one full of lots of smart folks who absolutely lean left and came away from Kerblam! with various levels of disbelief and outrage. I didn't catch it at first, mostly because me and my pal were kind of chittering away and all, but on deeper focus? Oh yeah. There's a lot wrong here. The structure is sound, but the foundation is problematic to the extreme. I'm going to throw out an extreme statement and then try to back it up over the next few words. If I fail, feel free to call me on it. Okay. Kerblam! is the Talons Of Weng-Chiang for the 21st century. Wow. Holy shit. That's bold as fuck. What do I mean by that? It's expertly-crafted science fiction entertainment that's well-acted and, in any other respect, would be a hallmark of its era... but then the underlying message, text, and subtext come in. It's either enough to roll off your back and make you not notice because you had so much fun, as I (admittedly) did for those 40 minutes when I didn't know where this was going... or it appalls and offends, violating what one perceives as the heart and soul of Doctor Who. Wowie wow. Let's dig into THAT.

Doctor Who Series 11 First Impressions: Episode 6 (Demons Of The Punjab)

Fine. I'll say it. Of the six hours and change that the Whittaker era has aired so far, this is the best one for me. The only one that comes close to it is Rosa, and Rosa is... well, it has different strengths. It's a very good episode, but one I don't feel qualified to talk about and one that's so tense, uncomfortable, and oppressive in its realistic atmosphere that revisiting it isn't exactly a Saturday evening comfort with chips and a drink. Demons Of The Punjab isn't quite that, either, but it's more of a dramatic tragedy. I've made much, be it here or on Rainiac's podcast, about the somewhat disappointing idea of the Doctor not always saving the day in these episodes. Some situations, like Arachnids In The UK, are tonally off for me. Sometimes I'm fine with it. This is the time I'm the most fine with it, because this isn't a story about "saving the day". This is a story about loss, tragedy, and prejudice told against the backdrop of a historical event, a family torn apart by events and beliefs far beyond their farm. It's a story that presents itself as a day to be saved, and twists itself to reveal its tragedy. This is something to be observed, and we're stronger for having observed it. This is Demons Of The Punjab, and it's incredible.

Doctor Who Series 11 First Impressions: Episode 5 (The Tsuranga Conundrum)

Baby has a glowy tummy =)

Oooh, now this is spooky. I'm writing this from inside some sort of time warp. Like, more so than usual. The Internet is currently out here, and it looks to be that way until at least Tuesday evening. If you're seeing this on Tuesday evening, the 6th of November, then you'll know I got back on time. Any later and you know it took me longer. Beyond that, you're way in the future and looking back at this. (Future intrusion note: 24 hours early, hooray!) I'm talking about timely post-airing first impressions, though. So, what did Chibnall put in front of us here? Hmm. I don't know. It would be mean to call The Tsuranga Conundrum the worst episode of the Whittaker era so far. It would also be inaccurate. It isn't bad. It didn't offend me. On the flip side though, it didn't wow me in a way that other episodes this series did. For better or worse, there's no real element in this that speaks out to me and makes me feel a passion, be that praise or damnation. This was perfectly servicable Doctor Who that gave me mild entertainment on a Sunday night. In that regard, it's almost exactly what I expected from the Chibnall era before it aired. The problem is that we had those other four episodes that gave me a lot to talk about, be it good or bad. Still, we'll make something of this. Or try to.